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Jan Mabuse was the name adopted (from his birthplace, Maubeuge) by the Flemish painter Jan Gossaert; or Jennyn van Hennegouwe (Hainaut), as he called himself when he matriculated in the guild of St Luke, at Antwerp, in 1503. From 1508-9 he traveled to Rome and in 1509-17 he is registered in Middelburg. According to Van Mander he was one of the first Flemish artists to bring back the Italian manner of painting with lots of nudity in historical allegories. From 1517-24 he is registered at Duurstede Castle where according to the RKD, he had Jan van Scorel as pupil. From 1524 onwards he returned to Middelburg as court painter to Adolf of Burgundy. He was a contemporary of Lucas van Leyden, and was influenced by artists who came before him, such as Roger van der Weyden, the great master of Tournai and Brussels, and like him, his compositions were usually framed in architectural backgrounds.

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Jan Mabuse was the name adopted (from his birthplace, Maubeuge) by the Flemish painter Jan Gossaert; or Jennyn van Hennegouwe (Hainaut), as he called himself when he matriculated in the guild of St Luke, at Antwerp, in 1503. From 1508-9 he traveled to Rome and in 1509-17 he is registered in Middelburg. According to Van Mander he was one of the first Flemish artists to bring back the Italian manner of painting with lots of nudity in historical allegories. From 1517-24 he is registered at Duurstede Castle where according to the RKD, he had Jan van Scorel as pupil. From 1524 onwards he returned to Middelburg as court painter to Adolf of Burgundy. He was a contemporary of Lucas van Leyden, and was influenced by artists who came before him, such as Roger van der Weyden, the great master of Tournai and Brussels, and like him, his compositions were usually framed in architectural backgrounds. More...

 
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