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70 years
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Wilhelm Richard Wagner was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas (or, as some of his later works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Weber and Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama, and which was announced in a series of essays between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung).
His compositions, particularly those of his later period, are notable for their complex textures, rich harmonies and orchestration, and the elaborate use of leitmotifs—musical phrases associated with individual characters, places, ideas or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music....
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Wilhelm Richard Wagner was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas (or, as some of his later works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Weber and Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama, and which was announced in a series of essays between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung).
His compositions, particularly those of his later period, are notable for their complex textures, rich harmonies and orchestration, and the elaborate use of leitmotifs—musical phrases associated with individual characters, places, ideas or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music....
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Gioacchino Rossini
Gioacchino Antonio Rossini was an Italian musical composer who wrote more than 30 operas as well as sacred music and chamber music. His best known works include Il barbiere di Siviglia (The Barber of Seville), and Guillaume Tell (William Tell) (the e... |
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Giuseppe Verdi, Italian Opera Composer
Giuseppe Fortunino Francesco Verdi was an Italian opera composer.
Verdi was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera sce... |
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Mathilde Wesendonck, Poet
Mathilde Wesendonck was a German poet and author. She is best known as the friend and possibly mistress of Richard Wagner, who set five songs to her words, called the Wesendonck Lieder. By 1857, Wagner had become infatuated with Mathilde. It is not k... |
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Hans Makart, Austrian Painter
Hans Makart was a 19th century Austrian academic history painter, designer, and decorator; most well known for his influence on Gustav Klimt and other Austrian artists, but in his own era considered an important artist himself and was a celebrity fig... |
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Ludwig II of Bavaria, Der Märchenkönig
Ludwig II was king of Bavaria from 1864 until shortly before his death. He is sometimes referred to as the Swan King in English and der Märchenkönig (the Fairy tale King) in German. Ludwig is sometimes referred to as Mad King Ludwig, though the accur... |
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Der Ring des Nibelungen, Wagner
Wagner's Der Ring des Nibelungen is, in my opinion, one of, if not the, greatest musical works in history. It is fifteen hours of gorgeous, dramatic music, coupled to an endlessly fascinating and moving story. Needless to say, every recording of this... |
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